The Edwardian period saw a major revival of chintz. This is a printed, multi-coloured fabric with a glazed finish. The term derives from a 17th century fabric imported from India. Chintzes were teamed with matching floral papers.
Other fabrics were often luxurious, for example satins, silks, and lace.
Covered furniture and curtains were further decorated with fringes and tassels.
Fabric designs from the late 19th century from companies such as
Liberty & Co were popular. These included Japanese and Indian
designs on silk, as well as fluid Art Nouveau patterns. These designs
came from people such as Christopher Dresser, Walter Crane, Lindsay
Butterfield, Voysey, the Silver Studio, and, after 1900, Harry Napper.